Within this context, the workers inhabit a state of dual-consciousness, their labour becoming both process and product, embodied and disembodied. (1)
After the first week of workshops and exercises this week became more focused upon ideas development and then creating a product. The idea of product was discussed and pulled apart. The product didn't need to be a tangible object, although in the end everyone created at least 1 glass product. It was hard to resist the pull of the molten glass especially as Rejmyre is one of last surviving glass factories in Sweden. Daniel and Sissi had negotiated with the management that each artist would have an opportunity to work with the master glass blower John. We could work with him for a limited 2-hour session at a set hourly rate. To effectively work with the glass blower we had to develop a very clear concept that could be discuss and completed with John—one artist per day in the 2 hour session. This was creatively challenging for all; firstly for the artists’ to resolve a strong idea and for John to interpret and technically produce the work in glass within such a short time frame – pressure was on.
Much research was undertaken during the week. Ulf the owner of the factory supplied us with many historical books. One that I spent a lot of time with was titled Glass: The Miracle Maker – from 1940’s; the Rejmyre factory remains frozen in this time zone so this book was relevant to the space.
In the second week the performance studies scholar Ioana Jucan joined the group as ethnographer-in‐residence. She conducted an ethnography of the labour at the Rejmyre Glasbruk, while the artist-as-guest-workers developed the product. This entailed discussion and feedback sessions with all the workers in the factory during the Performing Labour residency. These interviews where recorded and will assist in Ioana’s conclusive report.
Towards the end of the week many of us needed supplies to complete our products. We made a trip to Norrkoping’s amazing electronics supplies Kjell&Co. Ardino boards, discrete mp3 players and small headphones where purchased. In the limited time available I decide to use a ready made sound systems but intend to develop a specifically programmed ardino board for the next phase—the residency in 2017.
Quote of the week
I am happy to hear you are doing fine. (2)
- Excerpt from Daniel Petz’s proposal for the residency/workshop.
- From the Roy Andersson’s film A Pigeon Sat on a Branch Reflecting on Existence (Swedish: En duva satt på en gren och funderade på tillvaron), 2014.